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Nails You Will Never Be One of Us Review

General Information:

Artist: Nails
Album: You Will Never Be One of Us
Genre(s): Rock
Subgenres(s): Grindcore
Released: 2016
Length: 22 minutes
Language(s): English
Label(s): Nuclear Blast

Track List:

01. You Will Never Be One of Us
02. Friend to All
03. Made to Make You Fail
04. Life is a Death Sentence
05. Violence is Forever
06. Savage Intolerance
07. In Pain
08. Parasite
09. Into Quietus
10. They Come Crawling Back

Nails You Will Never Be One of Us Cover

Nails You Will Never Be One of Us Cover

Nails You Will Never Be One of Us Review

You Will Never Be One of Us is the third album by American grindcore band Nails. The band has remained largely consistent with all of the common threads running through their previous albums still being present here. For anyone unfamiliar with Nails, their template is along the lines of:

• 10 songs per album
• Angry and/or pessimistic lyrics
• Incorporating elements of sludge metal and noise into their grindcore sound
• Chaotic micro-songs
• Ending the album with a noticeably longer and more experimental song
• Masterful tempo shifts

The Nails sound can still be summed up as “utter chaos” or that “it’s almost entirely forgettable because it is over before it starts” in reference to aforementioned micro-songs playing at breakneck tempos.

You Will Never Be One of Us received the customary testosterone injection to ensure that fans can rejoice at the unrepentant ferocity that Nails are known for. Vocalist Todd Jones, who had a throaty shout on their previous two albums, has now adopted a more guttural style that also appears to have been altered in the studio at the same time.

Friend to All and Life is a Death Sentence both feature the masterful tempo shifts that see Nails instantly drop the suffocating blast beats to switch to the bridge of the song or a slower guitar riff respectively because despite rushing through songs, they always manage to find time to throw this impressive feat into the mix.

There is some change to be found in the title track and Violence is Forever. Both are fairly accessible, at least by Nails standards, with the former having the mantra “you will never be one of us” far more distinguishable from the other lines to give it something resembling a hook (albeit loosely) and the latter focuses on memorable riffs while playing for a reasonable three and a half minutes. Some noise is then thrown in at the end just in case you thought Nails might go easy on your ears.

As Nails tradition has it, the final song is longer and more experimental than the rest and They Come Crawling Back does not disappoint. At 8 minutes long it takes up a little over 1/3 of the album and is by far the longest song Nails have recorded by about 3 minutes. It starts out with a slow, desolate black metal guitar riff accompanied by the lo-fi distortion you’d expect from an early 90s album before thundering into life. Starting with lots of momentum, the song slows down and eventually enters into sludge metal territory that is spliced up with some guitar screeching to disorientate the listener and a few of the words are quietly spoken too.

If you are already a fan of Nails then You Will Never Be One of Us will not disappoint. For those wondering where to start with Nails then the longer playing time and improved song writing will make this album an ideal starting point. Nails haven’t changed that much so for the minor differences to add up to something significant it will be over the course of a few albums.

Performers:

Todd Jones: Vocals, guitars
John Gianelli : Bass guitar
Taylor Young: Drums

External Links:

Nails Homepage
Nails on Wikipedia
You Will Never Be One of Us on Wikipedia

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Nails Abandon All Life Review

General Information:

Artist: Nails
Album: Abandon All Life
Genre(s): Rock
Subgenres(s): Grindcore
Released: 2013
Length: 17 minutes
Language(s): English
Label(s): Southern Lord

Track List:

01. In Exodus
02. Tyrant
03. Absolute Control
04. God’s Cold Hands
05. Wide Open Wound
06. Abandon All Life
07. No Surrender
08. Pariah
09. Cry Wolf
10. Suum Cuique

Nails Abandon All Life Cover

Nails Abandon All Life Cover

Nails Abandon All Life Review

Abandon All Life is the second album by American grindcore band Nails. Three years on from their debut and Nails show no signs of slowing down as they ferociously hammer through another uncompromising batch of micro-songs.

There’s barely a moment to breathe and at 17 minutes long Abandon All Life is somehow as long as it needs to be. To demonstrate the direct and uncompromising mission statement from Nail you need not look any further than the 23 second vignette that is Cry Wolf. It is nothing but sheer auditory terror that also leads to the crux of the problem with this kind of song writing: it’s almost entirely forgettable because it is over before it starts.

This isn’t to say that there isn’t any talent here; it’s simply a case of beyond the raw intensity of their performance you will be hard-pressed to find much else.

With their intense anger, short blasts of chaos and lack of anything even remotely nuanced Nails are squarely on the caveman side of extreme music which will make Abandon All Life a welcome addition to any grindcore collection but for anyone anticipating an expansion on their foundation will be left to look elsewhere.

Performers:

Todd Jones: Vocals, guitars
John Gianelli : Bass guitar
Taylor Young: Drums
Andy Saba: Lead guitar

External Links:

Nails Homepage
Nails on Wikipedia
Abandon All Life on Wikipedia

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Nails Unsilent Death Review

General Information:

Artist: Nails
Album: Unsilent Death
Genre(s): Rock
Subgenres(s): Grindcore
Released: 2010
Length: 14 minutes
Language(s): English
Label(s): Six Feet Under Records, Southern Lord

Track List:

01. Conform
02. Scum Will Rise
03. Your God
04. Suffering Soul
05. Unsilent Death
06. Traitor
07. I Will Not Follow
08. No Servant
09. Scapegoat
10. Depths

Nails Unsilent Death Cover

Nails Unsilent Death Cover

Nails Unsilent Death Review

Unsilent Death is the debut album of American grindcore outfit Nails. At only 3 minutes longer than their 2009 EP, Obscene Humanity, this brings the total running time to approximately 14 minutes. For a debut album this is a meagre introduction on the surface because it doesn’t give the impression that you can fit much into such a short span of time.

Nails are quick on the draw to prove the listener wrong and throw you into the middle of their sonic fray with Conform, a 31 second blast straight from the bowels of hell that leads right into Scum Will Rise through feedback noises to continue their sensory assault. This serves as the base-line for Unsilent Death and there’s rarely a moment to remember because of the utter chaos compacted into these micro-songs, of which many are under a minute long, since it’s next to impossible to digest what you hear when most tracks almost start before the last one ends.

Suffering Soul and the title track do manage to slow down and retain some sense of melody, mainly due to the fact that there is a heavier focus on hardcore punk. At best it proves that Nails don’t have an entirely one-track mind and at worst were included for the sake of variety but in either scenario their inclusion works to the advantage of the album. The title track is especially well crafted and includes some of the bands noise elements.

For the listeners who manage to wade their way through Unsilent Death will also pick up on the knack that Nails possesses to do sudden, sharp tempo shifts in a seemingly effortless manner without ever sounding disjointed as demonstrated in the 28 second long track Traitor.

Every musical element from the blasting grindcore sounds to feedback noise and even sludge metal are used on the closing track, Depths, which proves that Nails are capable of far more dynamic compositions when they put their minds to it and they achieve far better results on the few longer tracks on Unsilent Death.

Nails are catering to the furthest ends of the extreme music community and if you happen to have a penchant for short blasts of unrelenting chaos and/or lack anything that resembles an attention span then you will feel right at home with Unsilent Death. For everyone else there isn’t going to be much in the way of replay value bar a few shining moments.

Performers:

Todd Jones: Vocals, guitars
John Gianelli : Bass guitar
Taylor Young: Drums

External Links:

Nails Homepage
Nails on Wikipedia
Unsilent Death on Wikipedia

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Deftones Gore Review

General Information:

Artist: Deftones
Album: Gore
Genre(s): Rock
Subgenres(s): Experimental Rock
Released: 2016
Length: 48 minutes
Language(s): English
Label(s): Reprise Records

Track List:

01. Prayers/Triangles
02. Acid Hologram
03. Doomed User
04. Geometric Headdress
05. Hearts/Wires
06. Pittura Infamante
07. Xenon
08. (L)MIRL
09. Gore
10. Phantom Bride
11. Rubicon

Deftones Gore Cover

Deftones Gore Cover

Deftones Gore Review

Gore is the 8th studio album by American rock band Deftones. As the band has evolved and implemented new sounds into their repertoire over the years it is self-evident with Gore that they’re still cutting into new territory. This has largely been caused by the conflicts within the band over what direction they should move in and somehow both camps got their way through an amalgamation of post hardcore, post rock, shoegaze and sludge metal in different measures. Some of these genres do already overlap in other musical circles but Deftones have managed to combine them in an entirely new way that most easily placed Gore under the large umbrella genre of experimental rock.

The use of the pop format is still present in many places but there is also a two part song found in Pittura Infamante, meaning “infamous painting” in Italian, and Xenon. This format also works to their advantage by being able to experiment sonically while still appealing to a wide audience.

Chino Moreno’s voice is at times heavily distorted to sound like high pitched radio garble so his lyrics aren’t always easy to recognise, with many of them being cryptic enough to be interpreted in many ways depending on the listener, but he also clings onto his distinct singing voice elsewhere when he isn’t breaking into a shouting frenzy elsewhere.

There are some parallels to be found with their 2006 album, Saturday Night Wrist, in terms of subdued musical elements although the flirtation with trip hop found there and with White Pony (2000) are nowhere to be heard. The opening song, Prayers/Triangles, kicks off Gore with familiar feedback noise from Saturday Night Wrist’s opening song, Hole in the Earth, but instead of launching into a meaty guitar riff it dissolves to introduce the subdued moods that are littered throughout Gore. (L)MIRL follows on much in the same way whereas the title track is much less streamlined and evolves into a massive sludge metal plod towards the end.

There is certainly no hugger-mugger from the variety of influences that have crept into the melting pot that is Gore because everything from the internal conflicts of the bands has managed to be turned into an unexpected advantage rather than a hindrance. How far the pendulum swings from this point on is yet to be seen but if Gore is any indication to go by then Deftones will continue to innovate.

Performers:

Abe Cunningham: Drums
Stephen Carpenter: Guitar
Frank Delgado: Samples, keyboards
Chino Moreno: Vocals, guitar
Sergio Vega: Bass
Jerry Cantrell: Additional guitars (track 10)

External Links:

Deftones Homepage
Deftones on Wikipedia
Gore on Wikipedia