Subgenres(s): Hard Rock, Punk Rock
Length: 47 minutes
01. Dendrofil for Yggdrasil
06. Ondskapens Galakse
Kvelertak Nattesferd Review
Nattesferd is the third studio album by Norwegian rock band Kvelertak. While they have been referred to as a black metal/rock hybrid in the past it is hardly relevant to Nattesferd because Dendrofil for Yggdrasil is the only black metal song, along with part of Berserkr, on the entire album. Almost everything else is broadly hard rock or punk rock filtered through the lo-fi aesthetic of black metal with a vomitus vocal style spraying all over the music. The lyrics all happen to be in Norwegian and given how they’re delivered it is questionable how intelligible they are, even to a native speaker.
After opening with a black metal song, Kvelertak immediately shifts to hard rock and then alternates between that and punk rock up to and including Ondskapens Galakse. The fusion and alternation of all these different elements is novel but in practice comes across as disjointed (and arguably unfocused) despite the sincerity and passion that the band clearly possesses. The vocal style doesn’t suit any of the hard rock songs and they detract from the experience since songs in this subgenre tend to sound powerful and spirited, whereas this leaves you lacklustre and wanting an actual singer that could have really made the songs into something special.
Berserkr, as the name implies, goes all out with the aggression and wild experimentation in which they blend all three styles into a single song. The majority of the song is black metal meets punk rock and from the bridge onwards the hard rock influences seep back in. To Kvelertak’s credit this is pulled of remarkably well and is certainly a highlight of Nattesferd, as is Bronsegud, a short and punchy hardcore punk flavoured song where the vocal style seems to fit almost naturally.
The last two songs on the album, Heksebrann and Nekrodamus, are almost yin and yang to each other. Heksebrann is a curveball at 9 minutes long while drawing on progressive rock and having a large instrumental section lasting about 4 minutes at the beginning. This contrasts with Nekrodamus, which continues the Kvelertak tradition of having “Nekro” in a song title, and is the complete antithesis of Heksebrann. This song sees hard rock stripped back to the basics and is much slower compared to the other songs, which once again take the listener in an unexpected direction, but is a bit longer than it needs to be.
It’s always good to hear a band perform in their native language and for anyone to embrace the spirit of rock wholeheartedly to the same extent that Kvelertak does. However, the scattershot approach to writing for several subgenres is often inconsistent and they seem to rely on the unpolished aesthetics and consistent use of harsh vocals to add a cohesive thread to the album.
Erlend Hjelvik: Vocals
Vidar Landa: Guitar
Bjarte Lund Rolland: Guitar, Piano
Maciek Ofstad: Guitar, Vocals
Marvin Nygaard: Bass
Kjetil Gjermundrød: Drums